Brooklyn Ron

New York Mag Once Promoted the ‘Good in Gentrification.’ Now We Literally See it at Night in the Lights That Landlords Put Outside Gentrifying Complexes, Like Here, NE Corner of Midwood St. and Flatbush Ave., Lefferts Manor

This is Funny. Former Congressman Ed Towns Remembers Bert Baker (Boss of Black Brooklyn) Coming into His (Towns') Office Almost Half a Century Ago:)

Remembering Judge William Thompson

DAILY CHALLENGE FRIDAY, JANUARY 11, 2019

 

By RON HOWELL

 

[photo caption: Bertram Baker in 1965 with Assemblywoman Shirley Chisholm, state Senator William Thompson and an unidentified officer of the Brevort Savings Bank. Courtesy of author’s family archives.]

 

 

Judge William C. Thompson started on the road to great accomplishments in the 1950s. He initially was a protégé of Bertram Baker, who in 1948 broke Brooklyn’s longstanding racial barrier by becoming the first Black person elected to public office in the borough’s two-century history.

 

Baker was 50 years old at the time of his election and “Willie” Thompson was among the stream of then-young, ambitious Black lawyers who began seeking Baker’s advice and support. Some of those lawyers wanted to become elected officials themselves, just like Baker. But those flush with their law degrees dreamed of sitting on high benches, which Baker could never do because he wasn’t a lawyer.

 

Thompson would become both, holding office as Brooklyn’s first Black state senator, then winning a seat on the City Council and finally becoming an appellate judge.

 

“Boss of Black Brooklyn” paints a picture of Bert Baker as a tough guy who tussled with Brooklyn’s Irish Democratic leaders, from the 1920s and on through the successive decades of his career.

 

But there are those who say when Baker met the end of his line in the late 1960s, it was his one-time acolyte “Willie” who helped bring him down.

 

Thompson almost literally stormed out of Bertram Baker’s United Action Democratic political club in the late 1960s. In professed anger, he began lending his contacts and knowledge to Baker’s rivals.

 

He effectively declared himself to be his own boss, and he knew that nothing would be more insulting and offensive to Baker than that. On the surface, the clash had to do with Baker’s decision to cross party lines and support a Black Republican in a minor local contest.

 

But, to me and others who knew them both well, the fight between the two power brokers was grounded in a collision of extraordinary egos. As Baker aged out of politics, a career he always called “the game,” the younger Thompson grew more powerful.

 

At one point, Thompson almost catapulted into big-time national exposure. In 1968 he gained the backing of Democratic Party bosses in a bid to become Brooklyn’s first Black member of the United States Congress.

 

Things were looking very good. But when the ballots were all counted, he came up with a measly .06 percent of the 13,000 votes cast, and he thus lost to a brash Black Brooklynite who called herself “unbought and unbossed,” an up-and-comer named Shirley Chisholm.

 

Interestingly, Baker, Thompson and Chisholm all had roots in the old British Caribbean. Baker and Thompson, in fact, traced their ancestry to the two-island nation of St. Kitts and Nevis. Baker immigrated from Nevis in 1915, when it was a British colony.

 

Thompson’s parents came from St. Kitts in that same immigration wave. As for Chisholm, her parents were from another British colony, now the independent nation of Barbados.

 

In saying, as I have, that Judge Thompson was part of our Greatest Generation, I have in mind that he, like my father and like so many of the then-young men who knocked on Bertram Baker’s United Action Club door, was a World War II veteran, and he was one with acknowledged distinction.

 

— Ron Howell is an award-winning journalist and author of "Boss of Black Brooklyn: The Life and Times of Bertram L. Baker" (Fordham University Press).

 

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Bill de Blasio, Arthur Eve, Leecia Eve and Me

Re: Billy Dee’s State of the City address - I’m sitting among hundreds of electeds and community organizers and (I’m sure) lobbyists and Billy Dee lovers, and I finally decide to ask the cool lady next to me what she did. And - 😮 whoa - it was Leecia Eve, daughter of the upstate historic politician Arthur Eve. It was my first time seeing her in person - after all those pix and tv and radio appearances in her bid last year to be AG. She was thrilled when I gave her a copy of “Boss of Black Brooklyn: The Life and Times of Bertram L. Baker.” She wants someday to write about her dad, now 85. Like many sandwich gen folks, Leecia puts care-time in with her parents. Bert Baker, who was my grandad, turned 121 years old this month. (Rest in Peace:) He’s still caring for me. Leecia said - and she was right - that someone above had us sitting next to each other. All through the campaign last year, I wondered about her relationship with her dad, who went to the Assembly representing Buffalo in 1967, as Bert Baker was ending his many decades in Brooklyn politics. She knew about Bert Baker, as I knew about Arthur Eve. Weird but so pleasant. I hope we stay in touch. Leecia seemed genuinely happy when Tish James - who won the AG race and is now the AG - stood up and waved to all, to much, much applause.

JACQUELINE CUTLER - giving Daily News readers a review of Colin Broderick’s “The Writing Irish of New York.”

She says so many Irish-Americans saw generational success as being a published writer. Read them but make sure you stand back, because stinging lines can jump from Malachy McCourt’s fingers. For instance, even citing others, Malachy seems motivated by need to hear “ouch!”

 

Speaking of which, I’ve heard people refer him as Malarky. Ouch again!

 

Cutler notes how Malarky “fondly quotes George Bernard Shaw, who wrote ‘critics are like eunuchs in a harem. They see it done, they know how it’s done but they can’t do it.’’” Ouch!

 

Fuck a baseball bat or a gun. Ain’t no fighting like writing!

https://www.nydailynews.com/features/ny-fea-irish-writers-newyork-history-20190106-story.html

Beware Men Like Dick Cheney, More Dangerous Than Donald Trump

I believe that Dick Cheney was more dangerous to the American people and to the world than Donald Trump has shown himself to be, so far. Step back a decade. I had readied my soul to prefer Dennis Kucinch over Barack Obama in 2008. That was because Kucinich had vowed to see Dick Cheney prosecuted for war crimes committed as Vice President under George Bush II.

 

In disclosure, I’ll say that several (four) years before that historic year I had hung out with Kucinich, while he was in New York City campaigning for the presidency then. He was down to earth, seeming like a friend, and we had two notable things in common. One was that he had gone to a Jesuit high school and, having done that myself, I could see things in him without looking. The other was that he was a vegan and so was I; and I had known of no other elected officials (he was a congressman from Ohio) who shunned meat, fish or dairy.

 

Cheney lied and gained money from his evil backroom maneuvering to get a babydoll-like George Bush II to invade Iraq, leading to millions of deaths, unnecessary deaths, and to a shift in the world reality that presented dangers still threatening.

 

Yes, I write this after we went to see the movie “Vice,” the title of which, with Cheney as its reference point, made me say, I’m in. And those others at BAM, from their reaction when the film was over, clearly felt the same way.

 

So how does a man like Dick Cheney come in life to do what he did, withiut punishment and even, it could be argued, without being seen?

 

Quotes are laced across the screen through the film, a very significant one coming near the beginning:

 

“Beware the quiet man. For while others speak, he watches. And while others act, he plans. And when they finally rest, he strikes.”

 

https://youtu.be/jO3GsRQO0dM

 

Project Muse: ‘Boss of Black Brooklyn’ is a story about a forgotten time and place

I really like this summary of Boss of Black Brooklyn. It’s on the Project Muse website:

 

SUMMARY

Boss of Black Brooklyn is above all an interesting readable story about an immigrant’s struggles and achievements in the century of American greatness. It’s about the external and internal struggles of the man who in 1948 became the first black elected official in Brooklyn, New York. It’s a story about a person, place and time that have been forgotten, cast into the dustbin of history. This is true even as Brooklyn today is one of the most popular destinations in the world. The population of Brooklyn is changing rapidly as newcomers from Europe, Australia and around the United States flock there to begin new lives. Curiously, the newcomers will embrace this book even as much as the old-timers who identify with the viewpoint of the author and the principal subject of the book. That’s because so many of the newcomers, even as they displace the old-time residents, are educated, progressive and curious about the past. This story is therefore for them as well as for those who carry a love for the old black Brooklyn that is fading in their hearts. Beginning, as it does, at the end of the nineteenth century, Boss of Black Brooklyn, carries in its innards the character of a place that for many is the heart of the America that emerged on the world scene in the mid twentieth century, the place of dreams. Boss of Brooklyn, in its final chapters, also tells us of the era when the earlier dream began to fade and central Brooklyn was called a ghetto, with all the disparagement implied in the term. Now, once again, things are shifting demographically. And the dreaminess of the transformations is felt in the book’s main character, its subject, Bertram L. Baker. There is a satisfaction in the reading of the story, because we see the empowering nature of family.

https://muse.jhu.edu/book/63030

Review of Jacqueline Butler Gilliam’s Memoir, “Trailblazer,” About Being a Pioneer Black Journalist

Today’s Sunday book review is about Dorothy Butler Gilliam, who broke a color/gender barrier at the Washington Post more than half a century ago. Her memoir is “Trailblazer: A Pioneering Journallist’s Fight to Make the Media Look More Like America.” She fought extraordinary odds in her life. In applying to the Columbia University Graduate School of Journalism (from which she eventually graduated) an interviewer noted on her application that she was “very dark skinned.”

 

It’s striking that perhaps my favorite memoir by a journalist was written by my friend Jill Nelson who wrote, yup, for the Washington Post. Jill’s book was titled “Volunteer Slavery” and I was struck by its honesty in recounting her personal and professional experiences. The reviewer here for “Trailblazer” was Jacqueline Cutler, who last week told the News’ readers about “Boss of Black Brooklyn: The Life and Times of Bertram L. Baker.” I’d love to ask Jacqueline Cutler to come to Brooklyn College and tell students what it took in her life to get a dream job like that. Go, Jacqueline Cutler.

 

(Note: Interesting. The review has Gilliam’s birth surname as Baker.)

 

photo: 1962, Harry Naltchayan, Washington Post

https://www.nydailynews.com/features/ny-fea-dorothy-butler-gilliam-book-20181229-story.html

Judge William Thompson, The Boss of Black Brooklyn (Bertram L. Baker), Buju Banton, and Smokey Robinson. What do they have in common?

St. Kitts and Nevis!

 

Today’s CARIBBEAT (by Daily News writer JARED MCCALLISTER) begins with a tribute to the late Judge Willie Thompson. It has quotes from yours truly noting the judge’s relationship with Bertram L. Baker, The Boss of Black Brooklyn. Both men had roots in St. Kitts and Nevis.

 

Then Jared comes the shift-in-tone announcement for the loyal readers of CARIBBEAT:

 

“[T]he anticipated 2019 St. Kitts Music Festival just got hotter with the addition of Grammy Award-winning Jamaican dancehall reggae star Buju Banton to the sizzling lineup, which already includes Motown Records singer/songwriter/co-founder Smokey Robinson headlining its 2019 edition, being held June 26 through 30...”

 

Note to reggae ignorant fb friends: Buju Banton “is a Jamaican dancehall and reggae musician . . . In 2009 he was arrested on drug-related charges in the United States  . . . [After a conviction. . . h]e waived his right to an appeal and on December 7, 2018 and has returned home to Jamaica.”

https://www.nydailynews.com/new-york/ny-metro-caribbeat-william-thompson-political-pioneer-20181229-story.html

 

"The Evocation of a Sea Island Heritage," by Sharon Bourke

Sharon Bourke is a loving cousin of BrooklynRon’s. She writes all the time, except when she’s painting. She was an ever-present source of knowledge and inspiration for BrooklynRon as he worked on his book, “Boss of Black Brooklyn: The Life and Times of Bertram L. Baker.” She loves editing, and the fine points of word usage are deeply in her. It’s also meaningful to BrooklynRon that Sharon will be 90 years old in 2019! Now how’s that for a cousin to look up to!

Here’s the bio that goes with the current article Sharon did for Montreal Serai. “Sharon is a poet, painter, and printmaker of African American heritage. She was born in Brooklyn, New York in 1929, and still creates visual art, though not commercially. She was formerly a president of The Graphic Eye Gallery (Port Washington, N.Y.), and occasionally still exhibits with the Long Island Black Artists Association. Sharon concentrates more these days on prose rather than poetry. A short story by her appeared recently in Montréal Serai. Her poetry has appeared in Poetry magazine and numerous anthologies, including Understanding the New Black Poetry, Celebrations, Children of Promise, Songs of Seasoned Women, Long Island Sounds, Toward Forgiveness, and Temba Tupu: Africana Women’s Poetic Self-Portraits.”

Go to Montreal Serai by clicking here.